Process, process, process. Here are two drafts of the same weirdness. Above you see my first draft. It’s how the original idea plopped out of my head and onto paper. Below, is a second draft in which I put more thought into the overall composition. I often end up liking my first drafts best just because they capture an unfiltered something.
My friend asked me to draw her Highland cow with lots of flowers and lots of pink. She prefers the bottom image and I prefer the top. There are about a thousand cow sketches in my notebook now.
I grew a lot of peppers in 2023. And I bought my first quality oil pastels. I drew these pepper piles in October 2023 when every vessel in my kitchen was overflowing with peppers. I drew the person first then got the idea for the mouse fending off an owl with fire breath. There’s a lot of learning going on here. I started both images using pencil then went over the pencil in black ink. The person on the peppers then went straight into oil pastels. The mouse I put in watercolor as a base. That’s how the stars and owl have their color. I love the saturation of the oil pastels, so I added pastel in on top of the peppers and the mouse. Without that deep red, the mouse’s peppers looked a lot like carrots. If I had this to do over again, I’d make a pepper pile of more quintessential peppers rather than a favorite variety of that I had on hand as a model. Oil pastels don’t allow for as much detail as ink pens. Because of the oil, I can’t go in over the pastels with pens. It’s always been my technique to finish the color with watercolors then go back over everything with black to make it pop. I ended up going over the pastels with India ink from a dipping type pen. The pastels made the ink look diffuse and fuzzy in spots. I have since found some success using colored pencils over the pastels to define edges. It’s been good for me to expand beyond my usual style and techniques.
Okay, lots of content on this page is much more recent than this, but this group of cartoons is meaningful to me.
When we went into lockdown, I was housesitting to avoid paying rent after a life-sorting-out-type road trip after a life-rearranging-type long-term illness in the family. As I clutched at plans to move back to Montana to work on bird surveys for the summer, my carefully orchestrated springtime schedule of housesits that I’d ride into that summer eroded away under waves of last-minute cancelations. I lost hold of my Montana plans, and they too slipped away. My backup plan to teach outdoor ed courses in Madison, Wisconsin, where I currently live— it also fell flat, and crumbled.
Rather than call friends to solidify plans to go backpacking for my fortieth birthday, I was calling them to lament that I was unemployed, homeless, and had to move back in with my mom.
One day around when John Prine died, I was sulking around extra, and my mom suggested maybe I have PMS. Hmm.
After more calls to friends, this time to report and discuss my diagnosis, I spent hour upon hour holed up in my temporary bedroom working on these cartoons. Making these and many more cartoons, drawings, and paintings gave me a salve for the wounds caused by loss and that festering soul-sore, anxiety.
I’m grateful to my mom for putting up with me for those long weeks she endured my relentless PMS. I’m grateful I eventually found a sweet little spot to call my own. I’m grateful I found a way to still choose how to be when it felt like all our choices had been taken away.